Don't take my Kodachrome away

Once the best-known name in popular photography (at least partly thanks to Simon & Garfunkel), Kodachrome is now a rare item:

It is an elaborately crafted photographic film, extolled for its sharpness, vivid colors and archival durability. Yet die-hard fan Alex Webb is convinced the digital age soon will take his Kodachrome away.

"Part of me feels like, boy, if only I'd been born 20 years earlier," says the 56-year-old photographer, whose work has appeared in National Geographic magazine. "I wish they would keep making it forever. I still have a lot of pictures to take in my life."

Only one commercial lab in the world, Dwayne's Photo in Parsons, Kan., still develops Kodachrome, a once ubiquitous brand that has freeze-framed the world in rich but authentic hues since it was introduced in the Great Depression.

Eastman Kodak Co. now makes the slide and motion-picture film in just one 35mm format, and production runs - in which a master sheet nearly a mile long is cut up into more than 20,000 rolls - fall at least a year apart.